Googlism for: another urban riff


another urban riff is a theater group founded on the idea of incorporating an improvisational or musical style to their work
 

 
 



"I believe in lying. I believe that you have to lie your way to the truth and that true works of art should be prefaced with 'based on lies'. I believe in music in theatre, which is not the same as saying I believe in musical theatre. Music is felt directly without words to get in the way. And it has rhythm. I believe in plays that have rhythm and words that don’t get in the way. I believe in music that is not really music but more of a sound that comes from some place way down deep and that can grab an audience by the balls. I believe in grabbing an audience by the balls. I don’t believe in intermissions because you should never let go until the show is over. I not only believe in sounds, but how some things sound right, like: ensemble ethics.

Some of what I’ve written I’ve believed for a long time and some of what I’ve written just sounds good to me at 1:20 am. As for tomorrow…"

Steven Tanenbaum
Artistic Director
Another Urban Riff
steven@anotherurbanriff.com
 
 
 



Origins:


In October '99, Marymount Manhattan College hosted 2 panel discussions on the performing arts. The first panel included an Academy Award winner, a star from "ER" and a screen writer whose movie was directed by Spike Lee. Alumni, Steven Tanenbaum was invited to speak on the second panel. Certain his alma mater was sending him a message, Tanenbaum almost declined participating in "Creating Your Own Opportunities In Theatre."

At the end of the seminar, one of the students, Tricia McAlpin, spoke to Tanenbaum. It was a short dialogue of the type that seldom occurs when two strangers actually risk listening to each other. Tanenbaum had felt this instant kind of rapport only twice before working with kids in Loco-Motion, a theatre program for kids, and teaching convicts on Rikers Island. This sincere dialogue led directly to the inspiration for Tanenbaum to create his own opportunity in theatre. A month after meeting McAlpin, the first draft of MONO was finished - and appropriately it was a play about listening or rather not listening.

Fittingly, the first actor cast was Tricia McAlpin, the person most responsible for MONO's start. Over the course of the show’s 4 year run from off off Broaday to off Broadway, from the gone, but not forgotten, Surf Reality on the Lower East Side to Theatre Row on 42nd Street, there was always, at MONO’s center, an evolving hardcore group of dedicated actors – Yafit Hallely, JR Dziengel, Adi Terer, Myrav Osofsky, Maya Macdonald, Kerri Tucker, Tara Pesce, Florina Petcu, Inbal Samuel, Yasu Ikeda, Kena Cuesta, Lawrence Jansen, Nick Paglino, Donan Whelan, Gabriela Garcia, Megan Armitage, Kit Paquin, Sera Demira, Dai Ishiguro, Pete Mele, Irene Longshore, Starr Nysheva, Gloria Garayua, Juliette Gash, Ian Crawford, David Solomon, Philip Lowendick, Kerryn Feehan -- from all over the world. Some where during 500 weekend performances, thousands of beers and shots at The Magician and Dave’s and too many slices from Rosario’s, a disparate cast transformed itself into an ensemble that could execute “heel turns, slaps, cops, slips and spit-takes with crisp and euphoric precision.” This ensemble, that Show Business Weekly called the leaders of a "new generation of cutting edge theatre," – along with MONO playwright Steven Tanenbaum, wanted to take advantage of their collective experience so they forged the ensemble company, ANOTHER URBAN RIFF, which continues to produce what the NYC media praises as "shocking, engaging" work, the kind of off-the-beaten-track theatre for which New York is notorious."
 

 
 


Steven Tanenbaum
Writer/Director/Producer

Steven Tanenbaum is the writer and director of the feature film Coming Soon starring Cara Seymour (Adaptation, Notorious Bettie Page), Lori Petty (A League of Their Own) and James McCaffrey (Rescue Me, American Splendor).  Coming Soon was shot this past fall on the Lower East Side and was inspired by Tanenbaum’s true life experiences which include a near fatal collision with a truck and 4 years writing, directing and producing a play that started on the same exact streets where the movie was filmed.

That play was MONO, which moved to off Broadway in January 2004, after running for 3 years off off Broadway. MONO was designated as "Critics' Pick" by TimeOut New York, New York Magazine, Paper Magazine, Citysearch, NYTheatre.com, Show Business Weekly and more.  Don Lyons of the New York Post raved about it as "an engaging, promising sample of new, fresh lively kind of theatre"; New York Magazine called it “inventive, nasty and a surprising success”; TimeOut New York praised “the bawdy bar comedy” as “a cult hit,” and Where Magazine listed it among "the best of what to do and see in town" for being "shocking, engaging and the kind of off-the-beaten-track theatre for which NYC is notorious."  MONO was also featured on Japanese, Israeli, British and French television.

 

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