MONO

 

 

MONO

 

 

 

 

 

August 2000 – June 2004
Surf Reality, 320 West 37th St, Theatre Row, NYC
Written and directed: Steven Tanenbaum

www.catchmono.com

A legion of actors performed in MONO during its unprecedented 4-year run; although there was always a dedicated group at its core that evolved into AUR. Inspired by the concept of a singular voice and aspiring to be as immediately identifiable as the Jazz greats – Sonny Rollins, Jackie McLean, Lou Donaldson and Dr. Lonnie Smith – that the cast would often go to see; parts were rotated on a regular basis to find out what each actor, and only that actor, could bring to a role.

Cast: Tricia McAlpin, Kerri Tucker, Lawrence Jansen, Yasu Ikeda, Nick Paglino, Megan Armitage, Maya Macdonald, Dai Ishiguro, Sera Demira, Irene Longshore, Yafit Hallely, Adi Terer, JR Dziengel, Kena Cuesta, Inbal Samuel, Myrav Osofsky, Florina Petcu, Donan Whelan, Pete Mele, Gabriela Garcia, Kit Paquin, Juliette Gash, Philip Lowendick, Nysheva Starr, Gloria Garayua, Ian Crawford, Kerryn Feehan, JJ Hurvich, Valerie Feingold, David Solomon, Megan Papier, Michael Whitney, Hadar Lev-Tov, Jerry Marsini, Brett Christensen, Rob O'Hare, Tara Pesce, Bryan Safi, Enrico Ciotti, Melissa Carroll, Kiyono Ai, Susan Clark, Antonio Rodriguez, Jimmy Drago, Laetitia Simon, Maria Vega, Laurel Pinson, Nicole Fantl, Stacy LeVine, David Mitchell, Eunjee Lee, Yaniv Rokach, David Villalobos, Chantal Bushelle, Courtney Jansen, Roz Winter, Margaret Dawson, Belle Rodriguez, Joe Leone, John Burke, Lorraine Mattox, Maggie Kemper, Diana Delacruz, Erin Carey, Brian Corr, Lee Briggs, Brandon Mather, Magdalena Bryneson, Juju Stulbach, Alex Dawson, Tara Gallagher, Amanda Gruss, Phil Burke, Klara Leopold, Toshi 'N', Paul Paglia, Claudia Desideri, Heather Sabella, Raluca Georgiana, Annie Purcell, Alyssa Weiss, Sarina Mennasemay, Scott Chan

 “Critics’ Pick”
TimeOut, New York Magazine, Paper, NY Post,
citysearch.com, NYTheatre.com, Where, IN New York, Show
Business Weekly, High 5, On&Off
and more

“Steven Tanenbaum’s long running cult hit, MONO, transforms Surf Reality into a local bar for 13 unsavory characters to get drunk, high, heartbroken and burned out.”
   -  David Cote, Time Out

“MONO is an engaging, promising sample of a new, fresh, lively kind of theatre.”
   -  Donald Lyons, NYPost

“This Inventive, interactive play set in a barlike environment with a sock puppet, has been a surprising success downtown.” 
   -  Logan Hill, New York Magazine

“A cult hit…MONO is a Short Cuts for a generation of bipolar consumerati.”
   -  David Cote, Time Out 

“Steven Tanenbaum’s MONO, a nasty play that opened last August, is still rolling along on strong reviews with its lo-fi take on immersive theatre, in which audiences are encouraged to eavesdrop on the action surrounding them in a raunchy bar.”
   -  Logan Hill, New York Magazine 

“Tanenbaum’s plot is a 21st century answer to La Ronde…a Tony n’ Tina’s Wedding for the downtown set: funny, fresh, hip and literally engaging…”
   -  citysearch.com

“The cast of MONO leads a new generation of Cutting Edge Theatre…Tanenbaum’s creative use of the space obliterates the wall between audience and performer…”
   -  Show Business Weekly (Cover article 09/26/01)

“It’s shocking, engaging, and the kind of off-the-beaten-track theatre for which New York is notorious.”
   -  Where Magazine

“Tanenbaum has come up with such an intriguing premise that should find a young, downtown audience.”
   -  Chip Deffa,  NYPost

 “Very funny, provocative and unusual…the audience’s reactions make the show.”
   -  Play by Play

“MONO has got to be one of the hippest and funkiest new plays around…a modern cult classic.”
   -  High5 (200,000 member theatre arts organization for teens in the tri-state area)

 “MONO satisfied that little voyeur inside each of us…If you’re looking for something to do on a weekend and can’t decide between taking in some theater or having a few drinks with your friends, opt for both and catch MONO”
   -  On&Off 

“Whether for the snappy dialogue, the sincere delivery, the unpredictable clockwork of the ensemble of the strikingly surreal sensation of the whole…every true New Yorker should catch MONO”
   -  The Village Gazette

“…a good old-fashioned brew of theatrical magic…a potent statement about the lonely singlehood of many New Yorkers…a triumph”
   -  NYTheatre.com

“Those in search of hip, innovative entertainment that’s not available Uptown; those unafraid to confront unpleasant characters or question their own self-absorbed flaws; MONO may be perfect for you.”
   -  Gay City News

"Mono...is a biting, clawing and penetrating pastiche of dialogue, now running, or more accurately, now “panting” Off Broadway that is not so much a play as it is a theatre of cruelty. Just when you thought hell was other people – a claim Mono makes no attempt to dispel – one comes to the frightening realization that hell may also be, oneself…a dénouement as claustrophobic as the performance space [Surf Reality]."
   -  Michael Mehler, Full Color Sound

 

 

 


MAMBO QUASIMODO

Spring and Fall 2004
Theatre Row (Spring 2004) Sutra (Fall 2004)
Written and directed: Steven Tanenbaum 

Cast: Lawrence Jansen with Tricia McAlpin, Nick Paglino, Kena Cuesta, Pete Mele 

“One of the best of 2004”
NYTheatre.com

“Pick of the Week”
High5 

“Jansen is terrific…delivering a tough, smart, magnetic performance…We can’t help but be changed by our time with this raw, melancholy and unexpectedly wise soul whose observations about otherness are so nakedly honest they sear us…”
   -  NYTheatre.com 

“Following in the tradition of MONO, MAMBO is set in a nightclub and successfully transforms the stand up format to tell its heart rendering story, incorporating the audience into the routine.”
   -  High5

 

   

THE SUMMER THE STOPPED MAKING 'LUDES


Or How Taking Peyote Turned Me Into A Coyote 

July - August 2004
Theatre Row NYC
Written by: Steven Tanenbaum
Directed by: Kerri Tucker

Cast: Lawrence Jansen, Nick Paglino, Irene Longshore, Kerryn Feehan, Megan Dahl, Philip Lowendick, Laurel Pinson, Pete Mele, David Solomon, Dai Ishiguro

“Pick of the Week”
 High5, NYTheatre.com, Hi! Drama

"...all you angel headed hipsters out there can breathe a sigh of relief. Whether you were alive or not back then, the '70s turn out to be the coolest place to revisit this July in the new play The Summer They Stopped Making Ludes or How Taking Peyote Turned Me into a Coyote written by the founder of Another Urban Riff and writer/director of the recent cult hit MONO..."
   -  High5

"Steven Tanenbaum’s play looks at a bittersweet day in the life of four friends, intersplicing flashbacks and fantasy to add shading to this nostalgic snapshot. The group mourns the loss of their favorite drug rather than face the real trauma before them: that of growing up. The acting, like each of the characters portrayed, is earnest, charmingly quirky, and will win you over."
   -  Village Voice

"...all of the actors were superb...the show was fun, fast paced and entertaining."
   -  Hi! Drama

"...this show makes you feel alive all over. It's a must see for any substance starved student out there -- get it before they cancel the prescription..."
   -  High5

 

   

Q101 OR HOW TO GET TO RIKERS

Spring 1999
Surf Reality, NYC
Written, directed and performed by Steven Tanenbaum

“Critics' Pick”
Village Voice, Paper, Villager

“In an hour long monologue, as casual as a bar conversation, Steven Tanenbaum describes in humorous and writerly detail his one year stint at the ‘university of incarceration.’ Tanenbaum’s sincerity is thorough and powerful, his simple, good intentions showing through with remarkable clarity.”
   -  Village Voice

“Q101,” Tanenbaum’s latest monologue, focuses not only on his trip to work, but also on the inmates he encountered working in a place that housed some of New York’s most dangerous criminals.  The show fuses dramatic and comic moments in a wonderful way.”
   -  NY Times

“Steven Tanenbaum’s powerful one man show recalls being an AIDS counselor on Rikers Island.”
   –  Paper

   
   

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